Ramachandran, a young man who is preparing for his IAS exam, battles his id, which keeps getting him into problems.
Srikanth’s lady creation wander ‘Nambiar’ coordinated by debutante Ganeshaa has an incredible story thought of bringing the negative voice of a man to life. Lamentably the vapid screenplay covers what could have been a very engaging film.
Srikanth is an adolescent whose desire is to pass his IAS exams, yet is always diverted by his inward negative considerations which have the type of Santhanam . Delhi Ganesh happens to see his girl Sunaina and Srikanth in closeness in a couple of spots and expect they are darlings while the two are absolutely ignorant of every others presence. The two at that point progress toward becoming sweethearts and while everything appears to go well Santhanam plays ruin in their lives by raising questions about the young lady and they separate . That isn’t all as the negative power likewise makes inconvenience amongst Srikanth and his folks Jayaprakash and Vanitha and sibling Subbu Panchu and Divyadarshini. To exacerbate the situation in a plastered inclination induced by Santhanam, Srikanth clobbers a police SI John Vijay who needs to complete him off by the experience. What occurs next structures the screenplay.
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Srikanth tries his best yet is no place close to his components. Whatever is left of the cast like Jayaprakash, Vanitha, Devadarshini, Subbu Panchu and John Vijay rest stroll through the film. The main redeeming quality of ‘Nambiar’ is Sunaina who is satisfying to the eyes and is exceptionally unobtrusive in her acting.
It is a forgettable collection for Vijay Antony with none of the tunes passing marshal and his notoriety for being a decent foundation scorer too gets destroyed as the sounds are noisy and shaking. Cinematography by M.S. Prabhu is very great while Vivek Harshan the supervisor can do nothing to spare the fiasco. Debutante Ganeshaa as specified before had an intriguing reason and the message he had in his brain is likewise justified regardless of a film, yet his execution is bad to the point that it is a Herculean assignment to sit through the motion picture.
Ramachandran (Srikanth) has a blend of constructive and contrary considerations simply like some other ordinary individual in Nambiyaar. What’s energizing and new with this plot is that the negative idea Nambiyaar gets a figure as Santhanam. At whatever point the saint advances to accomplish something, the negative idea impacts him and makes his life hopeless. This wait-and-see game between the team is the thing that Nambiyaar about. Does this amusement have an end? The film gives the appropriate response with a perfect message about existence at last.
Bearing and Screenplay
Having Santhanam on board, one will without a doubt expect high amusingness remainder in the film, which is overflowed at many spots. Chief Ganeshaa has composed an innovative story, with a decent measure of experimentation. The screenplay is taking part in the main half with humor and an alternate sentiment partition. Be that as it may, the last half is marginally less captivating, because of lengthened scenes. Particularly the underlying couple of minutes post interim may test your understanding. Life is loaded with both positive and negative things, however how you see them is what is important. The executive has ensured this message of his, is passed on in a cheerful way. Despite the fact that the film has been in the case for a long time, the group of onlookers may have the capacity to identify with it with current patterns, as the discoursed and scenes don’t appear to be old.
Srikanth has been specific in doing his movies, and this film is a decent decision. He has enhanced particularly with his acting abilities. His mix with Santhanam works at many spots. Santhanam as well as with others. Sunaina has been absent in the field for recent years since Vanmam, (not thinking about Theri’s part as cameo) but rather observing her back on the silver screen is delightful. She goes all through the film and has given a good execution. John Vijay, Delhi Ganesh, Jayaprakash, Subbu Panchu, Devadarshini and others do equity to their individual parts.
Thoongum Penne tune works somewhat superior to all others in the film. Vijay Antony’s experience score is strong of the film. M.S.Prabhuu’s visuals are nice and depict the Chennai city delightfully. The video tunes are likewise innovatively done. Ensemble originator Vandana Srikanth needs a unique specify in light of the fact that, even the outfits bolster the center plot of the film. You can see Srikanth and Santhanam wearing same outfits all through the film, as Santhanam is Srikanth’s negative idea. Great measure of imaginative perspective has experienced the brains of the specialized group.